《欧洲的某个地方》电影免费高清完整版在线观看

影片信息

片名：欧洲的某个地方
状态：DVD
主演：Artúr Somlay/Miklós Gábor/Zsuzsa Bánki/
导演：Radványi Géza/
年份：1948
地区：其它
类型：剧情/
时长：内详
上映：未知
语言：其它
更新：2025-07-14 04:37
简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

62
微信扫一扫

复制下方链接，去粘贴给好友吧 -欧洲的某个地方复制链接
扫一扫用手机访问

立即播放一号线路

选择来源

一号线路

10.0

网友评分

很差
较差
还行
推荐
力荐

230次评分

10.0

网友评分

很差
较差
还行
推荐
力荐

230次评分

给影片打分《欧洲的某个地方》

很差
较差
还行
推荐
力荐

我也要给影片打分

扫一扫用手机访问

首页电影剧情片欧洲的某个地方

播放列表

当前资源来源一号线路 - 在线播放,无需安装播放器

倒序

一号线路

DVD中字

剧情简介

　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

为你推荐

换一换

HD

需云杂方

8.0 尹产贺/金江珉/白成铉/
HD

火烧天堂镇

9.0 马修·麦康纳/亚美莉卡·费雷拉/尤尔·瓦斯克斯/阿什莉·阿特金森/丹尼·麦卡锡/斯宾塞·沃森/彼得·迪瑟/Taylor Trujillo/卡丽·拉扎/克里斯托弗·哈根/Paul Thompson/Mo Beatty/乔安妮·玛丽/加里·克劳斯/Joellyn Baca/杰梅因·华盛顿/Henry Frost/斯蒂芬妮·琼斯/塞萨尔·米拉蒙特斯/Freddie Martinez/
TC

毕正明的证明

4.0 王安宇/张天爱/聂远/王彦霖/冯兵/邬家楷/孔令美/黄小蕾/冯雷/石云鹏/于白水/生港帅/楚布花羯/李晓川/
HD

外面2025

7.0 瓦莱丽亚·戈利诺/马蒂尔达·德·安杰利斯/Elodie/西尔维娅·德凡提/斯特法诺·迪奥尼斯/弗朗西斯科·盖吉/安东尼奥·杰拉尔迪/科拉多·福耳图那/
HD

为我办一场西式的丧礼

1.0 郭品希/杨卓叡/黄圣球/邵奕玫/李振浩/詹子萱/张钧甯/陈庭妮/
HD

断球

10.0 赛义德·艾尔·阿拉米/阿毛里·福彻/达米安·勃纳尔/维克多·阿尔特斯·索拉罗/弗洛伦斯·詹纳斯/莱昂妮·达汉-拉莫特/Axelle Fresneau/马修·德米/Marlon Hernandez/Hadrien Heaulmé/Yannis Maaliou/Marguerite Zouaoui/Laëtitia Clément/Crystal Shepherd-Cross/Fanny Poulain/Mickaël Gaignard/Danièle Maharavo/Arthur Breau/Hugo M/
HD

丹墨向阳

10.0 崔语彤/沛苏/那威/王一剑/郭唅/包蕾/全林保/闻心语/郭桂林/亮子/
HD

红豆2024

5.0 邓丽欣/任达华/魏浚笙/龚慈恩/冯素波/方平/
HD

姐妹2024

1.0 Jamilli Correa/Fátima Macedo/罗密欧·布拉加/迪拉·佩斯/Samira Eloá/Enzo Maia/Emily Pantoja/Gabriel Rodrigues/
HD

开国宴风云

10.0 戚云鹏/

HD

维多利亚系统

5.0 达米安·勃纳尔/让娜·巴利巴尔/塞德里克·阿皮耶托/安东尼娅·布雷西/谢里夫·安杜拉/瓦萨尼·恩巴雷克/Serge Postigo/Luu-Ly Réveille/埃里克·莱因哈特/弗朗索瓦·比内尔/Mohamed Brikat/Ismaël Sy Savané/纳马·普雷斯/Djibril Pavadé/Valentina Nesi/席琳·赛莱/Alexandre Bado/Kamelia Pariss/何云平/Gaëtan Leleu/
HD

男孩的战争

4.0 维克多·罗塞克/布莱恩·J·史密斯/本杰明·沃克/彼得·盖勒/特蕾莎·叶尼克/黛布瑞安娜·曼西尼/马修·佩奇/格雷戈·塞拉诺/J·迈克尔·奥利瓦/
HD

雷诺阿2025

3.0 铃木唯/石田光/中川雅也/中岛步/河合优实/坂东龙汰/森川惠古/杰弗里·洛维/查理·马歇尔/
HD

骗子2022

4.0 Joseph Antaki/克里丝汀·博利厄/Jean Pierre Bergeron/让-卡尔·布舍尔/Ben Boudreau/Étienne Dano/Braulio Elicer/Felix Famelart/Mia Fortin/Claude Gasse/Louis Godbout/贝诺特·古因/Alexandre Goyette/Héléna Laliberté/史蒂夫·拉普兰特/Éric Laporte/Sebastien Poussard/Sébastien René/
HD

一个木匠的祈祷

3.0 未知
HD

年轻母亲之家

1.0 Samia Hilmi/Jef Jacobs/冈特·杜瑞特/克里斯特尔·科尼尔/英迪亚·海尔/姆本杜·乔利/克莱尔·博德森/Eva Zingaro/Adrienne D'Anna/Mathilde Legrand/Hélène Cattelain/Selma Alaoui/Janaina Halloy/艾尔莎·霍本/Lucie Laruelle/法布里齐奥·隆吉奥内/Babette Verbeek/
HD

试吃者

1.0 艾丽莎·施洛特/马克思·雷迈特/阿尔玛·哈森/尼科洛·帕塞蒂/
HD

札克与沃沃：幻兽传说

1.0 鲁迪·詹姆斯·杰夫科特/罗伯特·赫恩/Laura Woody/
中文字幕

放学后病历簿.2025秋

9.0 松下洸平/
HD

但丁之手

9.0 奥斯卡·伊萨克/盖尔·加朵/杰森·莫玛/阿尔·帕西诺/马丁·斯科塞斯/杰拉德·巴特勒/约翰·马尔科维奇/弗兰科·内罗/路易斯·坎瑟米/萨布丽娜·因帕恰托雷/本杰明·克莱曼汀/洛伦佐·祖佐洛/福图纳多·切林诺/保罗·博纳切利/圭多·卡普里诺/洛丽塔·夏马/杜克·尼科尔森/David Agranov/克劳迪奥·桑塔玛利亚/朵拉·罗马诺/

TC

一战再战

8.0 莱昂纳多·迪卡普里奥/西恩·潘/本尼西奥·德尔·托罗/雷吉娜·赫尔/缇雅娜·泰勒/蔡斯·英菲尼迪/伍德·哈里斯/阿拉娜·哈伊姆/D·W·莫菲特/约翰·胡热那克/莎娜·麦克黑尔/布伦达·洛伦娜·加西亚/特雷西·托德/吉姆·安德森/博格丹·舒米拉斯/约翰·德马卡斯/马特·斯波尔尼克/贾斯汀·S·麦克达维特/杰克·特劳特/罗布·戈尔/
HD

你的全部

8.0 伊莫琴·普茨/布雷特·戈德斯坦/Rebecca Osias/Kadiesha Belgrave/扎威·阿什顿/史蒂芬·克里/Alara-Star Khan/杰米·朗兰兹/Tariq Rasheed/Nathaniel Christian/Lizzy Mansfield/珍娜·科尔曼/纳蒂亚·阿尔比娜/列娃·安德烈瓦伊达/Indi Chowdhury/伊娃·马格亚/
HD

牧羊人2024

5.0 费利克斯·安托万·杜瓦尔/让-克洛德·鲍德拉科/吕克·帕伦/帕特里斯·德吉勒姆/尤尼斯·布西夫/亚明·迪布/米歇尔·塔博/让-菲利普・文森特/勒内·穆特/让-雅克·西莱斯特/Laura Guyot/Daphnée de Morant/托马斯・阿尔诺/Piero Brichese/Pierre Baculard/Lionel Escoffier/Julien Valet/Régis Fortino/德尔乔·科普瑞斯基/Gérard Dubouche/
HD

人之初2024

4.0 雷努特·舒尔腾·范·艾查特/吉斯·舒尔腾·范·艾查特/Pia Amofa-Antwi/Daria Fuchs/Julien Genoud/Kaija Ledergerber/David Urankar/
HD

牧羊人

9.0 费利克斯·安托万·杜瓦尔/让-克洛德·鲍德拉科/吕克·帕伦/帕特里斯·德吉勒姆/尤尼斯·布西夫/亚明·迪布/米歇尔·塔博/让-菲利普・文森特/勒内·穆特/让-雅克·西莱斯特/Laura Guyot/Daphnée de Morant/托马斯・阿尔诺/Piero Brichese/Pierre Baculard/Lionel Escoffier/Julien Valet/Régis Fortino/德尔乔·科普瑞斯基/Gérard Dubouche/
HD

今晚不要让我们去打狗

7.0 艾伯丝·戴维兹/Andreas Damm/Zikhona Bali/
HD

夹缝人生

1.0 杨丽音/洪毓璟/周宜霈/王自强/草爷/梅贤治/
HD

天怒行动

5.0 未知
HD

生命接力赛

10.0 未知
HD

哈妮心乐章

10.0 Selma Dali Pape/加斯帕·克里斯滕森/Sidsel Boel Kruse/

换一换